As a man tinketh

Niels Weerheim

In As a Man Thinketh, Niels Weerheim presents a powerful visual reminder that our external reality is a reflection of our inner thoughts. The world we perceive is shaped by the mindset we cultivate, making us both observers and architects of our own existence. With a blend of abstraction and philosophical symbolism, this piece invites contemplation on the interplay between thought and experience, challenging viewers to embrace the responsibility of creating their personal reality.

The piece speaks to the intimate connection between perception and reality—your world exists as you choose to experience it.

23.6 x 31.5″ / 60 x 80 cm
Acrylic on cotton
Black float-frame
One of a kind
Includes a Certificate of Authenticity

1800 €

Niels Weerheim’s As a Man Thinketh is a powerful visual exploration of the relationship between thought, perception, and the manifestation of reality. The composition is immediately captivating—horizontal bands of vibrant color transition from deep, earthy reds and oranges to bright yellows, teals, and blues. This gradient evokes a journey, both internal and external, mirroring the transformation of thought into tangible existence. The floating geometric forms, reminiscent of the constructivist influences of artists such as Kazimir Malevich or El Lissitzky, challenge the viewer to consider the building blocks of thought and creation.

At the heart of the piece, a fragmented human figure composed of wireframe-like lines emerges, both dissolving into and constructing the surrounding space. The faceless, transparent nature of the figure evokes a sense of universality and anonymity, echoing themes present in the works of René Magritte—where the boundary between subject and environment becomes blurred. The figure appears suspended in an ambiguous reality, symbolizing the dynamic process of shaping the world through mental focus and intention.

The surreal, dreamlike atmosphere also draws comparisons to Giorgio de Chirico’s metaphysical landscapes, where time and space seem to collapse into layered planes of thought and abstraction. Weerheim’s geometric forms, floating weightlessly in a color-saturated void, further reinforce this sense of existential reflection. The tension between structure and fluidity invites viewers to ponder the delicate yet powerful process of creation—both as an artistic act and as a fundamental human experience.

Ultimately, As a Man Thinketh is more than a visual composition; it is a philosophical statement about the mind’s role in shaping its reality. Through vibrant hues, dynamic shapes, and an abstracted human presence, Weerheim compels us to question the limitations of perception and the boundless potential of imagination.

─ Isabella Rodriguez | Vuvu.nl

Niels Weerheim, a visionary visual artist from The Netherlands, navigates the boundaries between abstraction, figuration, and surrealism. His work transcends traditional artistic practices, delving into profound philosophical concepts surrounding consciousness, existence, and the creative process itself. Weerheim’s artistic journey spans multiple mediums—steel sculptures, paintings, clothing, and murals—all forming part of his relentless quest to capture the intangible.

Weerheim invites us to question: How far can we drift into the unknown before paranoia takes hold? What defines the border between internal impulse and external influence during creation? Can the essence of a state of being truly be embodied in art? These questions lie at the heart of his evolving practice.

Central to Weerheim’s recent exploration is the idea that creation is never solitary. Each artwork radiates energy that affects its environment—seen or unseen—and exists as part of a continuous cycle of being. The magic, as he describes, lies in surrendering to this process, courageously diving into the unknown time and again.

─ Isabella Rodriguez | Vuvu.nl

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